Best Astrophotography Lens 2023

While capturing a night sky full of stars is fun it isn’t that easy. The reason being the amount of light available is very low. Add to it the constantly moving stars, and you have a very steep challenge of shooting them and getting good results. This however doesn’t mean you won’t be able to click great photos.

In fact, with a proper lens you will be able to get great quality shots. Don’t expect to match the quality of professional photographers by just buying a good lens because that requires some extraordinary skills. So talking about lenses, it is the most important factor that decides the image quality of an Astro photo.

So in this article we will look at a few of the best lenses for astrophotography. But first let’s see the two traits one should keep in mind while choosing a lens.

Traits of a Astrophotography Lens

While looking for a lens that matches your use case there are two traits that you should keep in mind.

Focal Length: If you are looking to shoot simple landscape astrophotography and nightscape images then you should go for a wide angle lens. These wide angle lenses have a few advantages that can affect the overall quality. The first is that these Wide angle lenses have a larger field of view (FOV). This lets you collect light from a larger part of the sky. The second advantage is that these wide angle lenses produce a smaller image size at the sensor. This allows you to use longer shutter speeds and not have any trailing stars due to the rotation of Earth. This is because of the shorter focal length. One thing to note is that shorter the focal length, the wider angle the lens. So the ideal focal length would be 24mm or less on an APS-C camera. If it is a Full Frame Camera then a focal length of 35mm or shorter on will do. For a 4/3 camera anything near 16mm and shorter will be perfect.

Clear Aperture Size: The second to keep in mind while buying an astrophotography lens is its Clear Aperture size. The clear aperture of a lens for any given focal length is what will affect the signal to noise ratio in an astrophoto. Images with a higher signal to noise ratio will have a better image quality. This will also result in better color saturation, smoother tones, and much clearer details. The clear aperture is the diameter of the opening of the lens. It can be calculated by dividing the lens focal length by its relative aperture. In order to be able to capture as much detail in the night sky as possible, we would want to have a lens with a larger aperture for a given focal length. This is perfect for nightscapes and astrophotography and will enable us to have a more detailed picture of the night sky.

Best Astrophotography Lens

1. Rokinon 14mm f/2.8

Specs

• Focal Length: 14mm
• Maximum Aperture: F2.8
• Coverage: Full Frame (FX)
• Optical Construction: 14 Glass Elements In 10 Groups Aperture Range: F2.8 to F22
• Diaphragm Blades: 6
• Coating: Ultra Multi-Coating
• Minimum Focusing Distance: 11”(0.28m)
• Lens Hood: Built-In Petal Shaped
• Maximum Diameter: 3.4”(87mm)
• Weight: 19.4oz (550g)
• Length: 3.78” (96.1mm)

Overview

The Rokinon 14mm Ultra Wide-Angle f/2.8 IF ED UMC Lens is one of the best, most affordable super-wide angle lenses available right now. It is the perfect lens for landscape, street, and ​astrophotography. It gives you a 115° view when used with a full frame digital camera or 35mm film camera. It has hybrid aspherical lenses, which will produce sharply defined images that have a very minimal amount of distortion and chromatic aberrations. Its manual focus 14mm lens can focus as close as 0.9′ (28 cm) from the lens. The lens also has a built-in petal-type lens hood. It has got a huge lens cap and a bulging front element. Its focus rings are nicely rubberized and it has a permanent metal hood.

It provides an angle of view of 94° with APS-C cameras, 90° with Canon APS-C cameras, and 76° with Micro 4/3 cameras. It has 2 ED elements, 1 Hybrid Aspherical element, 3 High Refractive Index elements, and one glass Aspherical element. This makes for outstanding, sharply defined rectilinear images. The Rokinon 14mm Ultra Wide-Angle f/2.8 is available in most modern camera mount including Canon, Nikon, Nikon AE, Olympus, Fujifilm X-Mount, Micro Four-Thirds, Pentax, Sony Alpha, and Sony E-mount.

Highlights

• Capture the Entire Scene: The Rokinon 14mm F2.8 has an ultra-wide rectilinear view that fills the frame. This view is perfect for landscape photography, street photography, astrophotography, and real estate photography. With a single lens you can do it all.
• Low Flare and Ghosting: The Rokinon 14mm F2.8 has a UMC Multi Coating that reduces the flare and ghosting. Further it also increases the light transmission and the overall picture contrast. Helps prevent haze, lack of contrast and artifacts scattered throughout the image from bright source(s) of light
• Capture Spectacular Night Sky Images: The Rokinon 14mm F2.8 has a lower coma along with impressive sharpness. These features make it the ideal lens for shooting the night sky.
• Low Distortion: The images captured using the Rokinon 14mm F2.8 have lower distortion. It minimizes the curvature of straight lines. The resulting astrophotos are of high quality.
• Full Frame: Thanks to its ultra wide angle it Can properly cover the full frame sensors. This is equivalent in size to 35mm film (36 x 24mm). It can also cover smaller sensors like the APS-C and the MFT size sensors.
• Low Chromatic Aberration: The Rokinon 14mm F2.8 has very minimal Chromatic Aberration. This means that all of the colors are in focus in exactly the same place that they should be. This reduces the color fringing and also increases the picture sharpness.
• Internal Focus: The Rokinon 14mm F2.8 has an Internal Focus mechanism where the focus is achieved without any lengthening or rotation of the front lens element.
• Low Coma: The Rokinon 14mm F2.8 has a lower coma. This dip in the coma helps in preventing comatic aberration. Comatic aberration makes the picture appear more like the trail of a comet which can generally occur from a single point source of light. This prevents the image from looking like a blur similar to a comet’s tail which can normally occur at a lens edge.

2. Tokina AT-X 116 PRO DX II (11-16mm f/2.8)

Specs

• Focal Length: 11-16mm
• Maximum Aperture: f/2.8
• Minimum Aperture: f/22
• Automatic Aperture: Yes
• Angle of View: 104°-82°
• Macro Ratio: 1:11.6
• Focusing Mode: Automatic
• Manual Focusing Ring: Yes
• Autofocus Switch: Clutch Ring
• Focusing Type: Internal Focus
• Filter Size: 77mm
• Coating: Multi-coating

Overview

The AT-X 116 PRO DX-II is a fast, constant f/2.8 wide-angle zoom lens that is designed for cameras with an APS-C / DX sensor. It has an internal silent focusing motor that allows the lens to AF on Nikon bodies which don’t come with an AF drive gear and motor. Its coating has also been adjusted which gives a slightly better optical performance. The AT-X 116 PRO DX II is a compact ultra wide-angle zoom lens that has a bright and constant f/2.8 aperture. This makes it possible to do autofocus in low lighting conditions while maintaining a reasonable size and weight at the same time.

It has two Super-Low Dispersion glass elements along with two aspheric glass. This allows the optical design to control the chromatic aberration while achieving great contrast and sharpness as well. It also features a One-touch Focus Clutch Mechanism that allows the photographer to switch between AF and MF by simply toggling the focus ring. For AF you move the focus ring forward and for manual focusing you move it backwards to the lens mount. In this lens the light must go through two aspherical lenses and two low-dispersion lense before reaching the camera sensor. These layers keep the light focused and reduce the cloudiness that is dreaded by many who use it for astrophotography. All these perks make the lens great for landscape and astrophotography.

Highlights

• Super-low Dispersion: The Tokina AT-X 116 PRO DX II lenses feature a Super-low Dispersion (SLD) glass. This glass minimizes the secondary spectrum which is normally caused by chromatic aberration. They do this by using FK01 and FK02 optical materials. These optical materials give them SD (APO) qualities. This results in getting an excellent image quality in telephoto lenses of 200mm or more. It corrects all the aberrations across the entire picture and brings all colors into focus.
• Focus Clutch: The AT-X 116 PRO DX II comes with Tokina’s “Focus Clutch” mechanism. This mechanism allows the user to switch the lens’ focus mode between autofocus and manual focus modes. This is done with the help of the manual focusing ring which can move back and forth between the AF and MF position. For Auto Focus mode you need to move the focus ring forward to the AF position. For manual focus, you just rotate the focus ring towards the MF position. This allows you to get more control over the photos by switching between the manual and autofocus mode as required.
• Internal Focus: The Tokina AT-X 116 PRO DX-II uses an internal focusing system that works by moving each lens group. However it does not change the overall length of the lens. This is a great feature to have which is useful while doing telephotography. The internal focusing system has a few advantages like faster focusing, improved handling due to fewer movements near the center of gravity. It also means more compact lens designs. This also enables a better use of filters as the front filter thread remains still and does not rotate.
• Multi Coating: The AT-X 116 PRO DX II has a perfect and unique coating on all its optics elements. This reduces the amount of reflections off of the surface of the lens elements which isn’t loved by neither photographers nor manufacturers. They do this by bonding multiple layers of a transparent anti-reflection chemical to the surface of the lens. This helps them maintain and obtain clean and sharp images.

3. Nikon AF-S Nikkor 50mm f/1.8G Lens

Specs

• Picture Angle with 35mm (135) format: 47°
• Picture Angle with Nikon DX Format: 31°30
• Minimum f/stop: f/16
• Closest focusing distance: 0.45 m
• Maximum reproduction ratio: 0.15X
• Filter Attachment Size: 58mm
• Lens Cap: Snap-on
• Lens Construction (Elements/Groups): 7 elements in 6 groups (with one aspherical lens element
• Lens Hood: HB-47
• Lens Case: CL-1013
• Dimensions (approx.): 72 mm diameter x 52.5 mm
• Weight (approx.): 185 g

Overview

The Nikon AF-S Nikkor 50mm f/1.8 G is a lens that is designed to use with both FX and DX camera bodies. It has a low focal length of 14mm and comes with two low-dispersion elements inside. This means that light is controlled up to a large extent while making its way to the camera sensor. On DX camera bodies it has an effective angle of view that is equivalent to 75mm in the 35mm format. This lens doesn’t have an aperture ring, which makes it best to use with a modern camera body. It has a field of view that has a perspective similar to that of a human eye. Hence it excels at portraiture, travel, landscapes, event photography, and much more.

It is a prime lens that features optical elements and a wide f/1.8 aperture. This is perfect for shooting lifelike images, smooth background defocusing, and superior low-light performance. It is completely resistant to moisture and dust, and all its elements are coated which prevents flares or ghosting. The Nikon AF-S Nikkor 50mm f/1.8 G has an impressive build quality. It is compact and very lightweight. This makes it very easy to carry around. It has an aperture range of F2.8 – F22 and offers superb clarity. Thanks to its fast and wide aperture, capturing the Milky Way is a breeze.

Highlights

• Brilliance In Any Light: The Nikon AF-S Nikkor 50mm f/1.8 G is a great all-round lens and is great in every condition, be it a sunny day or a very cloudy and rainy day. It can also shoot amazing low light photos. This is due to its fast f/1.8 aperture which allows it to capture photos even in low lighting conditions with stunning brilliance. The wide aperture also makes it possible to use faster shutter speeds and lower ISO settings. This results in a superior performance even when shooting without a tripod or in low lighting conditions.
• Achieve More Natural Depth Of Field: The AF-S NIKKOR 50mm f/1.8G has a wider aperture setting that can generate beautiful, natural background blur or what is known as the Bokeh effect. So you will get a beautiful background blur no matter what or where you are shooting, be it portraits, food, or nature and is indoors or outdoors.The 50mm focal length of the lens makes it perfect for achieving a natural perspective to the photos.
• Capture Every Detail: The Nikon AF-S Nikkor 50mm f/1.8 G has a Super Integrated Coating (SIC). This is nothing but is Nikon’s term for the multilayer coating of the optical elements in its NIKKOR lenses. The Super Integrated Coating (SIC) enhances the efficiency with which the light is transmitted and also offers a much better color consistency along with reduced flare. Meanwhile the Aspherical Lens Element (AS) of the AF-S NIKKOR 50mm f/1.8G eliminates coma and other types of aberrations. It can do that even at the widest available aperture. Finally it also features Nikon’s Silent Wave Motor (SWM) which is known for its fast, accurate and quiet autofocus. This ensures that the portrait shots are sharp and clear.
• Unparalleled autofocus technology: Few of the NIKKOR lenses can switch from automatic to manual focusing mode by turning the focusing ring on the lens. This is virtually instant and has no lag time whatsoever. This makes it very easy to switch to fine manual focusing and adjust the focus all the while looking through the viewfinder. This gives you total creative control over the photos and the result is sharp and crisp photos.
• Silent Wave Motor: AF-S NIKKOR lenses have Nikon’s Silent Wave Motor (SWM). This mechanism works by converting the traveling waves into rotational energy which is used to focus the optics. This makes it possible to autofocus at an extremely high-speed and that too with accuracy and is super quiet.
• Extraordinary color and clarity: The Nikon AF-S Nikkor 50mm f/1.8 G is largely optimized for Nikon’s high-resolution DSLRs. It comes with a lot of innovative features that enhance your overall photographic experience. It has a 50mm focal length that creates a natural-looking perspective in the photos resulting in sharp and smooth background blur.

4. Rokinon FE14M-C 14mm F2.8 – Ultra Wide Lens For Astrophotography

Specs

• Coverage: Full Frame (FX)
• Optical Construction: 14 Glass Elements In 10 Groups
• Aperture Range: F2.8 to F22
• Diaphragm Blades: 6
• Coating: UMC Ultra Multi-Coating
• Minimum Focusing Distance: 11” (0.28m)
• Lens Hood: Built-in Petal Shaped
• Maximum Diameter: 3.4” (87mm)

Overview

If you are looking for a budget Ultra wide astrophotography lens, this is exactly what you can go for. It is an affordable option for your needs while offering you the best of the features. The stronger build coupled with excellent image quality can make it best bet for enhanced astrophotography.

The Rokinon 14mm Ultra-Wide-Angle f/2.8 lens is a full Frame Ultra-WIde-Angle Lens. It can be used to get a 115.7° view on full-frame cameras. It is perfect for astrophotography, landscapes, and real estate imagery. It has 2 ED elements, 1 Hybrid Aspherical element, 3 High Refractive Index elements, and one glass Aspherical element. This results in some outstanding and sharply defined images.This lens gives a good compliment to DSLR and Mirrorless cameras.

It provides an angle of view of 94° with APS-C cameras, 90° with Canon APS-C cameras, and 76° with Micro 4/3 cameras. Thus the lens has an advanced 14 element 10 group design. This design focuses on a close 11″ (0.28mm) and produces sharply defined images. These images have a minimal amount of distortion and chromatic aberrations.

Highlights

• Capture the Entire Scene: The Rokinon 14mm F2.8 has an ultra-wide rectilinear view that fills the frame. This view is perfect for landscape photography, street photography, astrophotography, and real estate photography. With a single lens you can do it all.
• Low Flare and Ghosting: The Rokinon 14mm F2.8 has a UMC Multi-Coating that reduces the flare and ghosting. Further it also increases the light transmission and the overall picture contrast.
• Capture Spectacular Night Sky Images: The Rokinon 14mm F2.8 has a lower coma along with impressive sharpness. These features make it the ideal lens for shooting the night sky.
• Professional Quality Optics: Rokinon is one of the largest and most popular brands of DSLR camera lenses in the world which has been making lenses since 1979. The lenses built by them are of stellar quality and are perfectly engineered. These lenses are very affordable and durable. Most of Rokinon’s lenses support mounts such as Canon, Nikon, Pentax, Sony, Canon M, Fujifilm X, Sony E, Samsung NX. They also support Micro Four Thirds cameras.
• Prime Lens Advantages: Computer to Zoom lenses, Prime lenses can work better in even lower lighting conditions. This is due to the sharper and lighter lens. Designing a lens for a specific focal length would mean optimal performance and fewer compromises. Prime lenses are typically faster (wider), have maximum apertures, and fewer lens elements. This enables them to capture even more light. So you get better quality images even in poor lighting conditions.
• Ultra Wide Angle: The Rokinon 14mm F2.8 has an ultra-wide-angle. The focal length is less than 18mm.
• Low Distortion: The images captured using the Rokinon 14mm F2.8 have lower distortion. It minimizes the curvature of straight lines. The resulting astrophotos are of high quality.
• Low Flare and Ghost: The Rokinon 14mm F2.8 is designed in such a way that it reduces reflections and light scattering that occur within the lens. This helps in preventing the image from degrading the haze, low contrast, and artifacts from bright light sources.
• Low Coma: The Rokinon 14mm F2.8 has a lower coma. This dip in the coma helps in preventing comatic aberration. Comatic aberration makes the picture appear more like the trail of a comet which can generally occur from a single point source of light.

5. Canon EF 50mm f/1.8 STM Lens

Specs

• Item Weight: 159 g
• Product Dimensions: 6.9 x 3.9 x 3.9 cm
• Screen Size: 1 Inch
• Supported Image Type: JPEG, RAW
• Has Image Stabilization: No
• Optical Zoom: 0.21 X
• Max Resolution: 20 Megapixels
• Min Aperture: 22 f_stop
• Min Focal Length: 50 Millimeters
• Voltage: 100 Volts
• Speaker Diameter: 49 Millimeters
• Form Factor: DSLR
• Lens Type: Standard
• Mounting Type: Canon EF
• Real Angle Of View: 40 Degrees
• Has Auto Focus: Yes

Overview

Canon EF 50mm f/1.8 STM is a compact and lightweight EOS prime lens. It has an 80mm effective focal-length on APS-C cameras, 50mm on full-frame cameras. This replaces the popular EF 50mm f/1.8 II lens which gave outstanding picture quality at an affordable price. This lens is excellent for portraits, action, even night time photography. The EF 50mm f/1.8 STM has a rugged metal mount, a minimum focusing distance of 1.15 ft. (0.35m) and a maximum magnification of 0.21x. It has a stepping motor (gear-type STM) that delivers almost silent, continuous Movie Servo AF. It has a fixed focal length which makes it the perfect lens for photographers and moviemakers to pair with their EOS cameras.

The focal length of the lens is 50mm which allows filling the frame with the subject even from a comfortable distance. This results in great looking portraits. The Canon EF 50mm f/1.8 STM has a 46-degree field of view when used on a full-frame camera. It also features a fast f/1.8 aperture which makes it great for shooting in low-light conditions. Pictures have excellent color balance, plus minimized ghosting and flare. With its 50 mm focal length and f/1.8 aperture, it is ideal for astrophotography. However, to get the best results for astrophotos, the f/2.8 aperture has a better balance of light gathering and sharpness.

Highlights

• Wide Aperture Lens: The EF 50mm f/1.8 STM is a wide aperture lens that is perfect for High-Quality Portraits and Low Light Photos. With the EF 50mm f/1.8 STM lens, focus on the subject and a getting evenly blurred background becomes easier thanks to its f/1.8 aperture. This results in much better artistic and impactful photography with great sharpness and color balance.
• A Classic Re-Born: The EF 50mm f/1.8 STM is the replacement for the EF 50mm f/1.8 II lens which gave great picture quality at an affordable price. This upgraded version has all the same features and stunning photo quality. But in addition to all that, it also has a fast, near-silent focus motor and a much better build quality.
• Perfect in every condition: The EF 50mm f/1.8 STM Lens is ideal for multiple shooting different types of pictures. These are Portrait Photography which is great for capturing expressions on the faces of subjects and is ideal for weddings, events, and parties. It is also suitable for Low-Light photography in darker conditions which enables you to capture nightscapes, firework displays, or even interiors.
• Artistic and Impactful Photography: The EF 50mm f/1.8 STM has a wide f/1.8 aperture which gives you the ability to focus more on the subject and blur the background. This is known as a ‘narrow depth of field’ and it makes the subject stand out in a scenario. This is great for portraits that require the focus of the shot to be on the subject.
• Let More Light In: The wide f/1.8 aperture of the EF 50mm f/1.8 STM lets in more than 8x the amount of light as compared to the standard zoom lens. This result is sharper images that have much lesser motion blur. This also reduces the need to use flash low light conditions. The resulting picture also has minimal noise.
• For Portraits and Everyday Use: The 50mm focal length means that you can fill the frame with the subject even from a comfortable distance. This makes it great for portraits. The EF 50mm f/1.8 STM has a perspective that is very similar to the perspective of a human eye. This makes it a great lens for everyday usage. Its compact size is the icing on the cake.
• Sharp Focus for Photos and Videos: The EF 50mm f/1.8 STM comes with a near-silent STM (Stepping Motor) technology. This technology can quickly focus on the subject while shooting photos. This lets you react instantly and capture fleeting moments. With its steady and quiet continuous focusing, the STM makes it easier for shooting high-quality movies. The resulting movies are smooth, and due to its near-silent motor, the soundtracks only capture the surrounding sounds.

6. Irix 15mm f/2.4 Firefly – Best Astrophotography Lens for Canon

A perfect combination of Swiss design and Korean precision for the best in astrophotography. The lens comes with the highest ever quality, superior functionality, and minimalistic design. The ultra wide angle lens works with the Canon EF mount as well.

Some salient features that we liked in this lens are-

• The Neutrino coating offers you protection against ghosting, flare, and chromatic aberrations.
• The focus lock feature helps you lock the setting at any preferred time
• Hyperfocal distance scale would be helpful in getting the perfect depth of field.
• The lens offers you an ergonomically placed focus ring for an enhanced focusing.
• The nine-blade diaphragm provides an excellent bokeh effect.

7. Sigma 20mm F1.4 Art DG HSM – Best Astrophotography Lens for Nikon

Bright, wide and sharp – that is exactly what we will term the lens as. The wide angle lens should work with both full frame cameras and APS-C sensors. It offers you ultimate image quality.

What makes it an excellent option for astrophotography? Here are our reasons –

• Superb edge to edge performance that for enhanced performance.
• It comes with advanced optics, and optimized lens power provides you access to reduced chromatic aberration and curvature.
• The lens is best suited for high-speed performance.
• It offers you an enhanced option for brightness and bokeh.

8. Sigma 35mm F1.4 ART DG HSM – Wide Angle Astrophotography Lens for Canon

The wide angle lens from Sigma undoubtedly makes it one of the best choices for your astrophotography assignments and projects. The quicker and accurate autofocus will work to enhance your performance to the core.

What makes it ideal inclusion in this list? These reasons may suffice your queries –

• You have access to a wide aperture and wide angle.
• The shallow depth of field offers you a softer bokeh blur effects.
• The affordable option makes it a great choice for budget-oriented photographers.
• The Hypersonic motor offers you an excellent focusing effect.
• The lens is not weather sealed, and you may need to be careful enough.

9. Rokinon/Samyang 12mm f/2 – Budget Lens For Astrophotography

Rokinon is one of the huge names in the field of camera lenses. It is one of the best options when it comes to affordable pricing coupled with high-quality performance. If you are looking for the best astrophotography lenses for your cameras, the Rokinon/Samyang 12mm f/2 should be an exceptional choice.

A few features that make the lens worthy of being on this list would be

• It offers you exceptional quality of sharpness at maximum aperture.
• You will have access to both super wide angle performance and a great level of sharpness
• The lens comes with a superior build quality
• The lack of autofocus may disturb some of you, but you have access to other great functionalities that suit perfect astrophotography.
• The lens is specifically designed for the APS-C sensors.

10. Canon EF-M 22mm f2 STM – Ultra Compact Lens For Astrophotography

This is yet another ultra-compact lens that offers you lightweight design at an affordable cost. The lens is suitable for multiple functionalities and purposes. Of course, the chromatic aberration reduction is not up to the mark.

Some of the best features of this lens are –

• You have access to high image quality with the bright and cultural aperture.
• The lens is lightweight and most portable option for your needs
• You come up with low light and provides you with excellent bokeh effects.
• The screw type stepping motor provides you access to smoother and silent operation while focusing

11. Rokinon 35mm F1.2 – High-Speed Wide Angle Lens For Astrophotography

Samyang is known for making the best quality prime lenses. Budget offering coupled with the versatility is what would make it an excellent choice for most of your requirements. One of the features that will make it an exceptional choice is the complete lack of chromatic aberration.

Why was this lens added to this compilation of the best lenses for astrophotography lenses? Here are our reasons –

• The internal focus is one of the best features that will make it a great choice
• Low light photography and videography are the excellent features that make it a great option for astrophotography.
• The lightweight and compact design should make it a great option for portability.
• The wide-angle lens brings more of the scene into your viewfinder without any sort of distortion.

12. Sigma 50mm F1.4 ART DG HSM – High Performance Lens for Nikon

The 50 mm lenses have been the hot favorite for the photographers out there. The lenses have been found to be versatile and suitable for landscapes, portraits, street photography and of course, astrophotography.

Few features of this lens that will enhance the value of your astrophotography are-

• Versatility and high-quality performance are the two major features that make it a great choice.
• The sturdy build should be what makes it a great choice for durability.
• You can be assured of an incredible focal point sharpness when it is wide open.
• The hypersonic motor provides a great deal of quieter and smoother operation.
• Super multi-layer coating takes care of the chromatic aberration.

13. Tamron 15-30mm f/2.8 lens – Wide Angle Astrophotography Lens

This is an excellent lens for your requirements in astrophotography – thanks to wide-angle aperture and sharper images that it can produce. Designed for full frame cameras, the lens is available both for the Canon and Nikon mounts.

So, why should you go for it? We assume these reasons will suffice-

• You have a wide angle lens with a fixed aperture of f/2.8
• It produces the sharper images even low light, and thus the lens is an excellent option for astrophotography.
• The wide angle lens is an excellent choice for the great images at night.
• This lens offers you great optics, lower levels of chromatic aberration.
• The image stabilization ensures that you can get crystal clear images at night.

14. Nikon AF-S NIKKOR 14-24mm f/2.8G ED – Ultra Wide Angle Astrophotography Lens with Nano Coating

The ultra wide angle lens should be a great option for almost all your needs in astrophotography. It also comes with nano coating for reduction of the chromatic aberration and flare. Dust and moisture resistance are a few features that make is a great option for most of your requirements astrophotography and wide-angle lens photography.

What makes it a good option in this compilation? Here are our reasons –

• The lens is fully optimized for FX and DX-format mounts.
• The faster and ultra wide-angle zoom provides you a perfect edge to edge sharpness without distortions.
• The silent wave motor can be the best meant for smoother and quiet autofocus — enhanced optical formulas an exceptional sharpness, contrast, and color.
• The internal focus should offer you a better autofocus functionality.

Found your next Astrophotography Lens?

These were our top 14 picks for the best Astrophotography lenses. If any of these meet your requirements and are in your budget then you can go for them. Let us know if we missed any.

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Last update on 2023-09-30 / Affiliate links / Images from Amazon Product Advertising API